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Published: Wednesday, November 08, 2017 @ 6:00 AM
— What will Dayton look like in ten or fifteen years? If there’s one guy in town who will be able to tell you, it’s Steve Budd.
Since 1989, Steve has served as President of CityWide, a non-profit organization whose mission is to strengthen Dayton through strategic economic and community development.
According to the website, “CityWide provides leadership in creating and implementing strategies that address Dayton’s need for economic growth and viable attractive neighborhoods.”
This amazing organization gets the job done by assisting with real estate development, business lending and community development. For the past 40 years, Steve has been helping move these initiatives along. So in other words, if there’s something brewing in Dayton, Steve’s the guy to know.
Steve grew up in a rural town in Ohio and attended the University of Dayton. While he was there, he fell in love with our fair city, and wanted to find a way to help it grow and prosper -- which is exactly what he’s done in his work at CityWide.
Later this year, Steve will pass the baton along to a new president. I had the pleasure of sitting down with Steve to find out more about him, and what he likes to do when he’s not busy making Dayton so awesome.
What upcoming projects do you have on the horizon?
Budd: The City of Dayton is on quite a roll at the moment. Downtown, CityWide is assisting in the redevelopment of the Dayton Arcade, the Wheelhouse Lofts, the YWCA renovation, (and) the Flats in South Park to name just a few of the high-profile projects.
CityWide’s community development efforts are highlighted by our work with Genesis – east Dayton (City of Dayton, Miami Valley & University of Dayton), Phoenix – northwest Dayton (City of Dayton & Good Sam Hospital), DaVinci – northeast Dayton (City of Dayton, Children’s Medical Center & Salvation Army) and HUD Choice – west Dayton (Greater Dayton Premier Management & City of Dayton).
I heard you’re quite the tennis player. How did you get into the sport?
Budd: I fell in love with tennis the year that Arthur Ashe won the US Open (1968).
About 35 years ago I started playing tennis with a bunch of tennis enthusiasts on Tuesday evening at the City of Dayton’s Jim Nichols Tennis Center.
The courts are a bit of a hidden secret in Dayton – six beautiful clay courts in a park-like setting. Approximately 15 players make up the core group. We play June through October on the courts at Nichols. We take our play very seriously, but still have a great time.
What superpower would you love to have?
Budd: I only have one superpower hero – Spiderman. His powers are “superhuman strength, reflexes, balance and something call spider sense.” All these powers would help my tennis game.
When you aren’t playing with your “Tennis Warriors,” where do you go for a good time?
Budd: Dinner at Corner Kitchen or Coco’s, followed by a movie at the NEON.
What’s your favorite spot in Dayton?
Budd: Sitting on my home’s back patio with my wife and our five cats.
And now, the big question: What do you think Dayton will look like in 10 – 15 years?
Budd: Dayton will have its first significant population growth since the sixties, downtown’s residential boom will be followed by a growth in office and retail, and the neighborhoods that are struggling today will have a revitalization.
What’s one word you think people would use to describe you?
Published: Wednesday, January 17, 2018 @ 6:00 AM
— If you’re an avid supporter of Dayton’s theater scene, you’ve more than likely seen a set designed by Chris Harmon.
Over the past 15 years, Harmon, 41, has contributed a wonderful array of designs for Beavercreek Community Theatre, Dayton Playhouse, Sinclair Community College and Town Hall Theatre.
He recently added Dayton Theatre Guild to his roster. His beautiful designs for Sinclair’s “Intimate Apparel” and “Pride and Prejudice” were particularly striking.
In addition to a penchant for sets, Harmon is a sought-after director of musicals. His productions of “Legally Blonde” (BCT), “Spring Awakening” (BCT), “The Wiz” (Sinclair), “Bare: A Pop Opera” (Sinclair), and “The Producers” (DP) have been notable standouts.
His future directorial projects include the regional premiere of Dominique Morisseau’s race relations drama “Blood at the Root” for Sinclair in April and “Dreamgirls” for Beavercreek at the beginning of next season.
At the moment, in addition to fine-tuning the set for Beavercreek’s upcoming production of “And Then There Were None,” he is assessing his new position as Artistic Director of Town Hall Theatre in Centerville where he has routinely served as director and designer.
Here’s your chance to get to know this talented Beavercreek native, who was inducted into the Dayton Theatre Hall of Fame in 2013 and is the recipient of 45 DayTony Awards. He also happens to be our Daytonian of the Week.
What fueled your love of the arts?
When I was an elementary school student, I was very shy and quiet. I am an only child and would often play by myself. However, I was in the school chorus and was chosen to sing a solo at a school assembly. I was mortified. But somehow I overcame my stage fright and that year auditioned to be an ensemble member in the high school musical, which was “Fiddler on the Roof.” I was one of the sons in “Tradition” and held an end of the wedding canopy. I really caught the theater bug and have been involved ever since.
What are some of your favorite plays and/or musicals?
“Chicago,” “Into the Woods,” “Falsettos,” “She Kills Monsters,” “The Little Mermaid.”
You are an actor, director and designer. Do you enjoy each discipline equally or do you have a special admiration for one over another?
Sadly, I have not been on stage for about seven years. I love to act, but I am terrible at the discipline of memorizing lines. But somehow I don’t mind spending days painting bricks on a set. I think that is when you know that you have found your calling – when the tedious parts of the job are a joy. Designing and scene painting can be a lonely job though, so I think directing fits my needs to be interactive and creative at the same time.
What have been your favorite roles, directing assignments or scenic designs over the years?
Two of my favorite roles are Orin the Dentist in “Little Shop of Horrors” at the Dayton Playhouse, and Frank-N-Furter in “The Rocky Horror Show” at Beavercreek Community Theatre. There is just something so fun about being able to play things over the top.
You are the youngest member of the Dayton Theatre Hall of Fame and the record-holder for the most DayTonys. How does it feel to be a part of a theater community that embraces your work?
For me, theater is all about collaboration and a good work ethic. I have learned from every artist that I have worked with and owe my successes to them and a great deal of hours toiling away.
I think the DayTonys are a great way to bring all the theaters together, but can be problematic with who receives the recognition. Art is subjective and I think the organization does the best they can. I have had some of what I felt was my best work overlooked and received recognition for some that I thought were lacking. It’s just five evaluators opinions, often with the highest and lowest tossed out. I have been fortunate to have been recognized and it has really helped my visibility in town.
Being inducted into the Dayton Theatre Hall of Fame among many other artists that I look up to was a great honor.
You were recently chosen as Town Hall Theatre's new Artistic Director. What is your vision for the company and its programming? What do you hope to implement for future seasons?
Town Hall Theatre currently has very full seasons with six Mainstage shows, four Showcase shows, and many theater class offerings. I hope to maintain this while possibly moving a show to summer to entice the older students back. Most often we lose high school age students to their own high school shows.
I would like to make the season more diverse with some shows that appeal to any age range. Town Hall also used to have a touring program that I would like to start back up, probably not next season, but maybe the following. I would also like to increase Town Hall’s visibility in the community to show the quality, professionally designed productions we have to offer. We are very fortunate to be a program supported by the Washington Township Recreation Center.
What do you love the most about Dayton's arts scene?
It is always willing to share. I do work at many different venues and have been able to borrow furniture, costumes, props, anything really. It seems like budgets for productions are always tight, so being able to obtain resources from other theaters make for a better production.
In what ways would you like to see Dayton's arts scene improve?
I would like to see more donors and sponsors give to local theaters. They are the ones producing and making art for affordable prices. People say they give to the arts, but often it is to a venue that brings touring shows to town. Even though they help the local audience, it is not helping local artists. If there were more donors, these smaller theaters would be able to offer newer, edgier, more cutting edge work they are passionate about instead of that one musical based on that one movie that always sells tickets.
What are some of your favorite Dayton locations/spots/venues?
Theater-wise, I have always enjoyed working for Sinclair, Beavercreek Community Theatre and Town Hall. I most enjoy collaborating with the people at those venues. As for other places, I am a thrift store junky and love to look for chachki at Valley Thrift on Woodman Drive. I also like locally owned restaurants like Arepas, Taqueria Mixteca, Christopher’s and even a greasy spoon diner like Hasty Tasty. My favorite bar is The Right Corner, downtown.
What do you feel is the biggest misconception about Dayton?
I am always stunned when someone says there is nothing to do in Dayton. You could see three different theater productions alone almost every weekend!
What inspires you the most about Dayton?
I think Dayton is the best big little town. I like that I can go anywhere and usually run into somebody I know. I am one who does not like to ignore coincidences, so I always have to go up to somebody and see what they have to say.
What are your hopes for the future of Dayton?
Dayton has always been an innovative city that is rich in arts, culture and diversity. I would love to see more professional opportunities for the Dayton theater community.
Contact this contributing writer at firstname.lastname@example.org
Published: Monday, January 01, 2018 @ 6:00 AM
— A city is only as good as the people who call it home.
The Dayton area is teeming with incredible people. We are fortunate to have featured 52 of them in 2017 as part of our ongoing Daytonian of the Week feature.
There were artists, restaurateurs, an Emmy-winner, entrepreneurs, activists and four women calling their own shots in downtown Dayton.
>> RELATED: TOP DAYTONIANS OF THE WEEK FOR 2016
Here are the top 10 most-read Daytonian of the Week stories for 2018 in reverse order.
10) ERIC JERARDI
Blues guitarist, founder of the Eric Jerardi Band, wine expert and owner of Jerardi’s Little Store at 7325 Peters Pike in Butler Twp.
“People don’t realize how great they have it here in Dayton. You have to travel a lot to understand that. I live north and really love it here — no traffic issues, and I love the airport being so close. We are picking up direct flights all the time, and that’s nice for weekend getaways.”
>> RELATED: WHY ERIC JERARDI LOVES DAYTON
9) EMMY FABICH AND KATIE NORRIS
Downtown residents and outdoor advcocates. Emmy works for Bike Miami Valley, the region's only bicycling advocacy organization and Katie runs the program education for Link: Dayton Bike Share. Katie works for the City in the Department of Water, Division of Environmental Management.
Emmy: “People should know that Dayton is so lucky to have so many places to get outside, get active, explore and have local adventures right here. You don't need to spend tons of money or move to Denver: you could do a local bike touring trip on the nation's largest paved trail network, go whitewater kayaking on our national water trail system, or rent a bike at MetroParks Mountain Bike Area (MoMBA) and ride in the woods, or do a weekend backpacking trip on the Twin Valley Trail. The opportunities are endless! Dayton's got it going on. And I just love seeing the reaction on people's faces when you tell them all of the things that they can experience here.”
Katie: “Don't assume the perception you have of Dayton from five years ago holds true today. If you think there isn't something fun to do in Dayton for any age, on any day, then you're not looking hard enough. Also, Dayton isn't perfect, but if you see a challenge, ask yourself how can you work together with others to start addressing that challenge. We all have to take pride in where we live or work, and actively work to make it even better.”
>> RELATED: WHY EMMY FABICH AND KATIE NORRIS LOVE DAYTON
8) TERRY ADKINS & SUSAN AND JOE BAVARO
The trio own the Oregon Express Bar & Restaurant in Dayton’s Oregon Historic District.
Terry: “The Oregon District has always been a popular and successful business and entertainment destination and neighborhood of Dayton for the last 30 years. The recent explosion of additional interest and investment in the district and the whole downtown Dayton area bodes well. It all points to a future center city of multiple choices of where to live, work and play in a dynamic urban center for the Miami Valley region.”
7) DAVID SUTER
Force behind the Instagram accounts @IGersDayton and @entropic.
“Dayton has faced a lot of challenges as a community but what inspires me is the sheer number of individuals committed to making it better. Everywhere you look are small business owners working hard to get by because they are passionate about our city. It's that dedication and loyalty that continuously amazes me.”
>> RELATED: WHY DAVID SUTER LOVES DAYTON
6) BRYAN STEWART
Legislative aide to Dayton City Commissioner Christopher Shaw and founder of The Longest Table Dayton.
“Faux, forced, urban environments are being rejected by millennials. We’re moving downtown, we’re moving closer to cool amenities we can walk or ride a bike to and there’s huge potential in this trend. ‘Outsiders’ should start more businesses and offices in this space because it’s only going to grow.”
>> RELATED: WHY BRYAN STEWART LOVES DAYTON
5) THE DOWNTOWN BROWNS
Lisa Scott of Beaute Box Lashes Dayton; Kate Rivers of Twist Cupcakery; Juanita Darden-Jones of Third Perk Coffeehouse and Wine Bar and Jasmine Brown of De’Lish Cafe.
Jasmine: “We really are showing our people the importance of supporting each other... We are black women and we are working together.”
>> RELATED: WHY THE DOWNTOWN BROWNS LOVE DAYTON
4) MICHAEL SHUBERT
Owner of the Red Carpet Tavern
“I got me a big boy job when I was about 20 years old and stayed here. I did the family thing. I moved away briefly to Daytona. (I) came back. I like it here in Dayton. I like the Belmont area. I like to bring our neighborhoods back.”
>> RELATED: WHY MICHAEL SHUBERT LOVES DAYTON
3) BILL CASTRO
Equestrian and co-owner of El Meson, 903 E Dixie Dr., West Carollton
(Dayton) is small enough to get around and yet unique in the gem of restaurants we have.
>> RELATED: WHY BILL CASTRO LOVES DAYTON
2) ROB STRONG
Owner of Thai 9, 11 Brown St., and Canal Street Arcade & Deli, 308 E 1st St.
What inspires me about Dayton: “The many entrepreneurs I personally know in Dayton and its history of innovators with the visions and the willingness to see those visions through.”
>> RELATED: WHY ROB STRONG LOVES DAYTON
1) ALLISON JANNEY
Award-winning film and television actress and current star of “CBS’ “Mom”
The former star of “The West Wing” has a long list of film credits that includes roles in “The Help,” “Drop Dead Gorgeous,” “Hairspray,” “American Beauty,” “The Girl on the Train,” “The Hours,” “Finding Nemo,” “Big Night” and “Juno.”
“We are salt of the Earth. We are the people who are grounded and know what’s important about life and know that treating people with respect and kindness (is important).... I’ve always felt that the people I’ve met from Dayton are great people.”
Published: Wednesday, January 03, 2018 @ 6:00 AM
— It is not how long you live in a place that counts, but the impact you make while there.
Etana Jacobi is certainly making her mark on the Gem City.
The Hooksett, N.H. native is the Dayton manager of the Hall of Hunger Initiative, an effort supported by the United Way of the Greater Dayton Area and the Jack W. and Sally D. Eichelberger Foundation, aimed at reducing food insecurity and increasing food access.
The resident of Dayton’s South Park neighborhood is our latest Daytonian of the Week.
What is your passion and why?
PEOPLE. I'm passionate about a lot of political issues, but really at the core of what I care about most in this world is how the decisions we make individually and collectively affect those around us. Humans are complex, imperfect, funny and strange strange creatures, and I am consistently amazed and challenged by what we're capable of -- both the good and the not-so-good. I figure you come into this life alone and you leave it alone, so why not invest your time on this planet with and for others?
What do you love about life in Dayton?
I love that this city is filled with folks who are passionate about their home and committed to making it better. I also love that you can have the benefits of life in the city with the feel of a small town. Not only is there always something to do, but there is a good chance you are going to run into someone you know while doing it. Also, the donuts.
>> MORE: You have to try these Dayton donuts
Why did you decide to move here?
I moved here in the fall of 2015 for a job at the Kettering Foundation with no intention of staying very long. I have spent the majority of my adult life bouncing between major cities on the east coast and a small city in the Midwest where I knew no one was not the most appealing. Fortunately, I found a community of people here who are kind, committed and willing to share their home with me. I'm deeply grateful for the opportunity to be a Daytonian and excited to put some roots down here.
What would you do on a perfect date in Dayton?
There are so many things going on in Dayton, I feel like there is no one perfect date. Perfect date options might include going to a festival in the summer or fall, walking downtown for a movie at the Neon followed by dinner at one of the many awesome locally-owned restaurants, a picnic and hike in one of our fabulous Five Rivers MetroParks, biking on our great bike trails, taste testing delicious donuts at all of the local spots on my personal quest to find the best donut in the region. The possibilities are endless.
Q) What would you change about Dayton?
Dayton is a small city with big city problems. It is also a place filled with tremendous assets, a rich and complicated history, and infinite opportunities for growth. I believe in our capacity to build a stronger city for ALL Daytonians, and I think we can only do it with an intentional community-wide focus on issues of equity and justice in our own backyard.
What should people know about Dayton?
Hunger is real in Dayton. Almost a third of households with children struggle with food hardship in our community. Most of the west side has been classified as a food desert by the USDA. Thirty-eight percent of clients served by The Foodbank report having to choose between paying for food and paying for utilities/heating fuel. It is simply unacceptable. We cannot have a healthy and vibrant community if our neighbors cannot afford to eat.
>> RELATED: Meet the top Daytonians of 2017
What is your hidden talent?
If I have a hidden talent, it is hidden even to me.
What do you think Dayton will look like in 10-15 years?
In 10 to 15 years, I see a strong food ecosystem in Dayton, generating an abundance of healthy, affordable and culturally appropriate food, grown and sold locally with care for the well-being of the workers, animals and environment that sustain it.
I see worker and community-owned businesses, like the Gem City Market, thriving throughout the city. I see every child attending quality Pre-K programs and our students hitting their third-grade reading and eighth-grade math targets. I see young families living throughout the city and sending their children to Dayton Public Schools with pride. I see a vibrant downtown on the nights and weekends with locally-owned businesses filling up our store fronts. I see the Hope Center serving as an anchor institution in NorthWest Dayton, disrupting cycles of poverty and empowering families.
Published: Wednesday, December 27, 2017 @ 6:00 AM
— Conductor Neal Gittleman may be a native of Brooklyn, N.Y. but he has been an integral part of Dayton’s modern artistic renaissance for more than 20 years.
Since becoming music director of the Dayton Philharmonic Orchestra in 1994, he has ushered the orchestra into the modern age, engaging new, younger music fans through programs like the annual Philharmonster Halloween concert and Rockin’ Orchestra series featuring thematic symphonic programs on rock acts like David Bowie and the Beatles.
Gittleman, who plays piano, violin and viola, is a fan of musical acts like the Rolling Stones and the Beatles but he fell in love with the possibilities of orchestral work during his college days with the Yale Symphony.
Before being hired by the Dayton Philharmonic Orchestra, he spent time as music director of the Marion Philharmonic, associate conductor of the Syracuse Symphony and assistant conductor of the Oregon Symphony Orchestra. He is currently in his 23rd season as the DPO’s music director and conductor.
Maestro Neal, as he’s often called, recently participated in TedxDayton, where his topic was The Power of Silence. His talk included a performance of “4’33” by John Cage, which is four-and-a-half minutes of silence, where ambient sounds such as the occasional coughing of audience members, conversations in the lobby and passing traffic become part of the piece.
Gittleman recently answered some questions about life in Dayton, TedxDayton and more as our Daytonian of the Week:
For TedxDayton in October, you presented The Power of Silence. Why do we all need a little silence in our lives?
Can I just say, “Cuz there’s just too much [expletive] noise?” Probably not! But we’re surrounded by noise. It’s not just actual noise — it’s that we’re continually bombarded with stuff, only a small fraction of which is truly attention-worthy. But a little silence goes a long way. It counteracts all the noise — literal noise and figurative noise.
The Power of Silence included a performance a famous John Cage piece. What was your take away from that experience?
“4’33” is all about focusing your attention and listening to the sounds of the world with our “music ears.” Performing it at TedxDayton involved monitoring the timing on the “4’33” app I was using to record the performance, juggling what I had to do in the 10-second spaces between movements — close the piano cover, advance to the next slide, raise the piano cover — thinking about how the audience was reacting, thinking about the final section of my talk. In other words, it was like any other performance — lots to do, lots to think about. Very different from the contemplative experience I wanted the audience to have! But that’s what all performers do. We work hard so folks in the audience can have interesting, involving, transformative experience.
As the conductor of the Dayton Philharmonic Orchestra, you’re accustomed to being in front of audiences, either in concert or in special programs where you discuss composers and notable works. How did the TedxDayton experience compare to addressing crowds in your day job?
Most of the public speaking I do is either off-the-cuff or from written notes. TedxDayton wanted our talks memorized. I don’t think I memorized text since my last theatrical experience, Lavoisier in “Marat/Sade” freshman year of college! But I pulled it off, and now I can go back to speaking from notes!
What part of town do you live in and what do you like most about it?
I live at the north end of Oakwood, a couple of blocks from Ben & Jerry’s. The best part is proximity to downtown. A couple of times I’ve realized I forgot something essential to a rehearsal or concert, zipped home and gotten back to the Schuster Center in under 20 minutes, without violating any traffic laws, either.
How has the city of Dayton changed since you came on board in the mid-1990s?
Lots: baseball, The Schuster, residential construction downtown. We still have a civic inferiority complex but maybe that’s starting to change, too.
What would you like to see happen most for Dayton, culturally, socially or financially?
More good economic news would be nice, as it would improve the environment for all the arts and non-profits in the area. But most of all, I’d love us to develop a stronger sense of community, community pride and community solidarity. The DPO, the Ballet, the Opera and rest of the arts community can be part of that because arts performances are a great way to bring people together and remind them the most vibrant experiences are ones we share live with our fellow audience members. Earbuds and headphones are nice but live is always better.
What is one musical artist you enjoy that people might be surprised to discover and what do you like about them?
I imagine that most people assume that I’m a Bach-Beethoven-and-Brahms kind of guy. And I am, of course. But the music that’s always been “my” music is the stuff I grew up with — the Beatles, the Stones, the Who and the great artists of Stax Records. That’s always been my listening-for-fun wheelhouse. In recent years, my buddy Phil Hinrichs has turned me into a Springsteen fan. I’ve got several of his live shows stashed on my phone and that’s been my listening-in-the-dressing-room fare before concerts. I suspect people probably wonder what’s going on when they hear the E Street Band playing behind my dressing room door before I conduct Beethoven or Brahms, but it works for me!
What is one of your guilty pleasures?
Funny — I don’t think I have any guilty pleasures. But that’s just because I refuse to feel guilty about my pleasures. I’m anxiously awaiting the fourth season of “Black Mirror,” which I guess is coming soon. “Mozart in the Jungle” is absurd, but it’s about my thing so I can’t resist watching. I love “Master of None.” And, pitchers and catchers report to spring training in just under two months so I’m looking forward to [a new baseball season], too.
You’ve had a rich and diverse career in your role as music director for the Dayton Philharmonic Orchestra. Is there a project, artist or composition you haven’t gotten to tackle?
As long as I’ve been conducting, there are always things I haven’t done yet that I’m hoping to get to. Very high on that bucket list is Olivier Messiaen’s amazing “Turangalîla Symphony,” an incredibly beautiful, thrilling, cinematic piece of music that would be a real blast to bring to the Schuster Center. And — fingers crossed — it just might happen one of these seasons. It’s been eight years since we last played a Bruckner symphony, and Bruckner sounds amazing in the Schuster Center. We’ve played many Shostakovich symphonies in my time at the DPO but there are several great ones we haven’t gotten to yet. Ditto for Mahler.”
What is keeping you from presenting these programs to an audience?
The biggest barrier to getting to some of those “wish list” pieces is the fact we have only so many programs a year — currently seven Masterworks Series programs each season — and so many great pieces to fill those slots. So, it’s just a matter of patiently holding onto those really-wanna-do-it ideas until the time, opportunity and finances are right. And, it’s not all about big “classical” pieces, either. Ever since the DPO started its Rockin’ Orchestra Series, I’ve wanted us to do something that would bring some of the amazing performers from the local music scene to play with the orchestra. The 2018-2019 season announcement isn’t until New Year’s Eve, so I can’t divulge what it is just yet, but that box is gonna get checked off next season.”
What does the future look like for the Dayton Philharmonic Orchestra?
There’s really no limit to what our orchestra can do, except for the continual financial challenges. Stephen Sondheim said it best, in a lyric from “Putting it Together,” a song from his show, “Sunday in the Park with George”: art isn’t easy. My corollary to that axiom would be, “If it seems easy, you ain’t aimin’ high enough!” Every once in a while, you read about an orchestra — or another performing arts organization — that has a LARGE gift “fall from the sky.” The San Diego Symphony got a $100-million gift in 2002. The Cincinnati Symphony got an $84-million gift several years ago. Imagine what something like that — or even half as much — could do here!